从《JIZZJIZZJIZZ18》转过来一时有点适应不了Marco Berger的节奏的确是重回《为什么瘦的女的哪方面比较好》的一部映前有一个导演自己出镜的彩蛋我突然想到他的风格就像在代替Andy Warhol发泄对彩色电影的猜忌、不安和怨气只不过他喜欢把细碎的镜头拼在一起火车的隐喻十分明显网上强行解释为开放式结局有点过分乐观了知道这部里性爱镜头多且直白一开始还在想在电影院看他的片子会不会有那种一美元一张票黄色影片放映室的体验看过之后才知道以前一个人在寝室看他片子时候的压抑感在电影院会被放大无数倍连我打开可乐瓶盖的放气声都格外明显然后就回想起"I want to live a normal life"这句话14岁的时候就有人和我说过了
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there is big difference between truth and fiction. fiction has to be make sense. why Aniston could end up well only in a movie? why Scarlett Johnhanson would end up alone in every movies but married in reality? This is the difference between fiction and r