#WeAreOne#直播时导演在线答网友介绍里提到她自己的一些经历恋爱暴君与家庭主妇的不同“I wrote this story was because I often followed women working in massage parlors when I was a child...When I grew up, my mother also shared her stories in massage parlors, so I have very fond memories of my childhood linked to these places. I think these women are quite unique.”
上一部給每個角色構建的困境喪偶式育兒、生意破產、原生家庭、缺乏自信等等他們的歌唱便有了要挑戰全世界的厚度而這一部構建的困境呢資本入侵、不會跳舞、母胎solo、恐高症之類的簡言之困境降級了進而便是對他們為什麼必須要做好那一場show的懷疑dream a big dream也不足以說服我萬幸最後他們回到了小鎮新角色們可以說是一個都沒塑造好再者明明歌更多了卻沒有幾首能真正和劇情結合繼而讓人印象深刻最後給一個毫無自我的跟班角色貼上LGBTQ標籤內心飆出一串髒話