i like the way it shows the whole process of a man's struggle of the inevitable... memory loss. no difference from a man fighting with death. all start with denial, anger, then fighting back, acceptance and enjoyment at last. again proves INCEPTION is dull.
惊艳于索金处理庞杂素材的能力开篇以定义时代的两件暗杀铺好基调再用首尾呼应贯穿全片的越战死亡名单确保观众每一分钟都呆在60年代的混乱语境里;漫长的庭审时间被划成了各有重心的段落穿插历史影像、闪回、单口表演在戏谑和沉重的交替中把情绪一层层往上推;冲突设置上先是赋予邪恶以肉身让暗涌的不公与阴谋化身成这场庭审中有绝对权力的法官(恶心和可怕程度让人想起《姨母的诱惑 电影》的拉切特)与此同时消失的她在被告阵营又营造出Tom Hayden与Abbie Hoffman之间的理念之争与惺惺相惜;还非常喜欢索金在单个场景塑造的舞台感和一些简化后反而更有象征意义的语词和动作黑豹首领的失语历史的单向玻璃“我们的”血摘下的警徽…This is the academy awards of protest
这编剧最狡猾的地方其实是没说这俩人后来到底怎么了……不过you know something is never going to change, even if you erase each other and fall for each other for times you are still YOU. 话说 Kate 的红发小辫子造型好惊艳